Director: Chris Stokes
Writers: Chaz Echols, Marques Houston
Stars: Draya Michele, Jessica Vanessa DeLeon, Ross Fleming
Runtime: 180 minutes
A man rekindles his relationship along with his former wife, which will not sit well with one more woman who's obsessed with the dog. A recovering alcoholic school professor trying to put the life back together meets any seductive new student. This lady offers him a sensual escape from reality until he realizes she could be insane.
We Belong Together, like most “That woman will be crazy! ” films, does not make said woman an elaborate figure but more so any generic replica of precisely what you’re already familiar with. 26-year-old Tracy has just got outside of jail and enrolled at the college in Los Angeles, perhaps Sacramento, for reasons unknown. We’re never told her significant or interest, just that she ends up in a Mythology cup ran by a Mr. Thomas Lewis.
Someone who just recently obtained off a sabbatical he or she took due to his life falling apart. Yet, with him or her sober now and restoring the relationships he damaged, he feels stable and possibly happy. That’s until Tracy, jealous of the closeness Youngsters has with his TA, Leslie, decides she wants your pet. Thus leading to a series of situations you can likely already suppose. Well, outside of the ending, that is a minor change from what we often see.
Initially, I thought this is going to be like Only For One Night in, despite the very low expectations for Draya Michele, the bar would be raised. Which usually, in some ways, it was. Still, I must admit, I don’t realize if it was her performing and how she played off of Whitfield or because of just how much Stoke plays on her beauty which leaves you entranced. For with the way We all Belong Together is photo, you come to understand how Youngsters was seduced.
How, in spite of his mind saying zero, temptation, over and over, wore straight down his morals and perception of right and wrong until he couldn’t aid but give in. Especially considering he was single, likely hasn’t been with someone throughout months, maybe over a 12 months, and it isn’t like the dude had any friends past his AA sponsor magnificent TA. Tracy (Draya Michele) trying to invite Thomas to have sex. Initially, I thought it was going to be like Only For 1 Night in, despite the low expectations for Draya Michele, the bar would be raised. Which usually, in some ways, it was. Yet, I must admit, I don’t recognize if it was her acting and how she played off Whitfield or because of simply how much Stoke plays on her splendor which leaves you entranced.
For with the way We all Belong Together is photo, you come to understand how Betty was seduced. How, regardless of his mind saying zero, temptation, over and over, wore lower his morals and perception of right and wrong until he couldn’t assist but give in. Especially considering he was single, likely hasn’t been with someone within months, maybe over a year, and it isn’t like the dude had any friends above his AA sponsor great TA. But, as we enterprise into Tracy getting a little bit crazy, that is when Michele appears to be pushing herself past exactly where she is as an actress.
Which usually isn’t to say she can’t play crazy, the way the woman eyes look in some scenes may give you pause, yet between her dialog, typically the performance, and the story?
We have a strong vibe that when this specific film was made, they should get followed the policy involving “Less is more. ” Criticism They Could Have Made Tracy’s Reason behind Flipping Out Better The issue with damn near just about all films like this is make the woman crazy without putting much, if any, onus on the man. And mind you, yes Tracy did rest about quite a few things, but there were multiple warning signs, as noted, that Thomas overlooked.
Some of which should have made it very clear, if you are going to have sex with this woman on the regular, be full-on intimate, you should come proper.
Yet, the film will not really allow Tracy being someone complex and challenging. Her mental illness, currently often used in films similar to this, is just a quick and easy means to make clear why she is acting the way in which she does. That and since, I guess, the d*** was so bomb that the girl couldn’t allow someone to get involved the way of consistent appointments.
Which seems like such lazy creating, since we see it frequently, that it takes away from everything Michele was doing that made this seem like a good purpose for her.