Director: Chris Stokes
Writers: Chaz Echols, Marques Houston
Stars: Draya Michele, Jessica Vanessa DeLeon, Ross Fleming
Runtime: 180 minutes
A guy rekindles his relationship together with his former wife, which won't sit well with another woman who's obsessed with him or her. A recovering alcoholic college professor trying to put his life back together meets the seductive new student. This lady offers him a fragile escape from reality till he realizes she might be insane.
We Belong Together, like most “That woman will be crazy! ” films, does not necessarily make said woman problematic figure but more so some sort of generic replica of just what you’re already familiar with. 26-year-old Tracy has just got outside of jail and enrolled with a college in Los Angeles, possibly Sacramento, for reasons not known. We’re never told her significant or interest, just that this lady ends up in a Mythology glass ran by a Mr. Jones Lewis.
Someone who just recently received off a sabbatical they took due to his existence falling apart. Yet, with him or her sober now and fixing the relationships he destroyed, he feels stable and perchance happy. That’s until Tracy, jealous of the closeness Thomas has with his TA, Leslie, decides she wants him or her. Thus leading to a series of occasions you can likely already reckon. Well, outside of the ending, which is a minor change from what we generally see.
Initially, I thought it was going to be like Only For One particular Night in, despite the lower expectations for Draya Michele, the bar would be raised. Which usually, in some ways, it was. Yet, I must admit, I don’t realize if it was her operating and how she played off Whitfield or because of how much Stoke plays on her elegance which leaves you enthralled. For with the way We Belong Together is hit, you come to understand how Jones was seduced.
How, inspite of his mind saying zero, temptation, over and over, wore lower his morals and feeling of right and wrong until he couldn’t help but give in. Especially thinking about he was single, likely hasn’t been with someone inside months, maybe over a season, and it isn’t like the guy had any friends over and above his AA sponsor magnificent TA. Tracy (Draya Michele) trying to invite Thomas to possess sex. Initially, I thought this is going to be like Only For One Night in, despite the lower expectations for Draya Michele, the bar would be raised. Which usually, in some ways, it was. But, I must admit, I don’t know if it was her acting and how she played off Whitfield or because of just how much Stoke plays on her elegance which leaves you entranced.
For with the way We all Belong Together is photo, you come to understand how Betty was seduced. How, in spite of his mind saying absolutely no, temptation, over and over, wore straight down his morals and perception of right and wrong until he couldn’t support but give in. Especially taking into consideration he was single, likely has not been with someone inside months, maybe over a 12 months, and it isn’t like the guy had any friends above his AA sponsor and his TA. But, as we endeavor into Tracy getting a little crazy, that is when Michele seems to be pushing herself past just where she is as an actress.
That isn’t to say she caint play crazy, the way the woman eyes look in some displays may give you pause, yet between her dialog, the particular performance, and the story?
We have a strong vibe that when this particular film was made, they should have followed the policy of “Less is more. ” Complaint They Could Have Made Tracy’s Cause of Flipping Out Better The situation with damn near just about all films like this is they make the woman crazy without placing much, if any, onus on the man. And actually, yes Tracy did sit about quite a few things, yet there were multiple warning signs, while noted, that Thomas avoided.
Some of which should have made it clear, if you are going to have sex with this lady on the regular, be full-on intimate, you should come correct.
Yet, the film does not really allow Tracy to become someone complex and complicated. Her mental illness, as it is often used in films such as this, is just a quick and easy means to explain why she is acting how she does. That also because, I guess, the d*** has been so bomb that this lady couldn’t allow someone to get involved the way of consistent appointments.
All of these seems like such lazy publishing, since we see it frequently, that it takes away from every thing Michele was doing which made this seem like a good part for her.